“Dead Poets Society” is the ultimate fall film – The Lafayette

Sunday is the first day of fall, so what better time to rewatch and review one of my favorite fall films: Peter Weir's 1989 classic Dead Poets Society.

Starring Robin Williams, Ethan Hawke and Robert Sean Leonard, the film follows Professor John Keating (Williams) as he and his students embark on a journey of self-discovery and reflection through poetry. Weir's elegant yet subtle direction and Tom Schulman's brilliant screenplay make Dead Poets Society a timeless masterpiece whose themes of self-discovery and individuality resonate as strongly today as they did in 1989.

Peter Weir is one of Hollywood's most fascinating and underrated directors. He has had countless critical and box office successes, including The Truman Show (1998), Valentine's Day Picnic (1975), and, one of my personal favorites, Witness (1985). Yet despite these successes, Weir is often overlooked and overshadowed by his competition. But rewatching Dead Poets Society today in 2024 reminds me once again that Weir is one of the best filmmakers of his generation.

Weir and cinematographer John Seale skillfully manage to capture beautiful and emotional shots, taking full advantage of the school they filmed at, St. Andrew's in Delaware. Composer Maurice Jarre and editor William M. Anderson also contribute greatly to the film's emotional and poetic atmosphere.

Dead Poets Society fits the concept of a fall movie perfectly for many reasons. First of all, the film is mostly set in a school and follows young men as they move in, take classes, and struggle through the hardships and realities of life. On top of that, they struggle to find their own form of expression and find their own path, which is made even more difficult by society's constant reminders of where they belong. This is something almost every college student can relate to.

The school itself and the surrounding area also reinforce this autumnal atmosphere, with frequent shots of naturalistic landscapes. In addition, the film's color correction enhances this feeling.

The performances in Dead Poets Society are all sensitive and authentic, allowing the viewer to develop a deep connection with the characters. Robin Williams, who up to this point had mainly appeared in comedic roles, slips seamlessly into the role of the mentor and brings his fantastic wit, humor and endearing charm to John Keating's character. Leonard and Hawke both deliver complex and moving performances. Josh Charles and Gale Hansen are also strong in their respective roles and add to the depth and authenticity of the film.

Dead Poets Society is a fall film because it perfectly embodies the atmosphere of the season and the themes of change and discovery. Its mix of beauty, melancholy and personal growth makes it particularly fitting for fall.