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Where are the young people in K-dramas? South Korea's television reflects its ageing population

Where are the young people in K-dramas? South Korea's television reflects its ageing population

JTBC launched its new weekend drama Romance in the house on August 10 with actors Kim Ji-soo, 51, and Ji Jin-hee, 53. The actors have 32 and 25 years of experience respectively and will play leading roles in a series about a divorced couple.
KBS Drama Perfect familywhich began airing on August 14, stars Kim Byung-chul, 50, and Yoon Se-ah, 46. The drama revolves around a family involved in a murder case, with the two older actors portraying a married couple.

Last month, the number of people over 65 in South Korea exceeded 10 million and the average age of the population rose to 45.7 years, according to the Korea Statistics Office, more than double the average age of 21 in 1980.

Korean dramas are increasingly reflecting the aging of society and focusing on people in their forties and fifties.

Yoon Suk-jin, a professor of Korean literature at Chungnam National University, said: “As people get older, the perception of being 'old' in their 50s becomes weaker. This trend has an impact on theater production, and actors who started their careers 20 to 30 years ago continue to play leading roles.”

This trend can also be seen in recent online streaming dramas, where leading roles are often given to established actors in their forties and fifties, such as Yum Jung-ah and Cho Jin-woong for No way out: Roulette and Kim Hee-ae and Sul Kyung-gu for The whirlwind.

It's becoming increasingly difficult to find dramas aimed at teens, and the most popular and discussed dramas of the first half of this year largely focused on the conflicts and relationships of older adults rather than the experiences of younger people.

Dramas like Queen of Tearswhich deals with the revival of love between a divorced couple, and Marry my husbandwhich involve revenge on an unfaithful husband are examples of this trend.
While there are depictions of young romanticism in Beautiful runnerThe story primarily deals with themes that will resonate with viewers in their thirties and forties, blending the experiences of teenagers into a broader narrative aimed at an older audience.

Pop culture critic Kim Heon-sik said, “Teens and twenty-somethings prefer to consume content outside of traditional television.”

The shrinking drama market is accelerating these trends. Production companies are increasingly opting for “safe choices” and casting established actors who have proven their talent and marketability rather than taking risks with newcomers.

As a result, the traditional path to advancement through theater roles is deteriorating for new actors, and K-pop idols who venture into acting find that their success rate remains low.

“Continuing to cast actors who have been active for decades makes it difficult for a new generation of actors to enter the industry,” Kim said. “To expand both the actor pool and viewership, we need dramas that appeal to a wider audience and bridge the generation gap.”

This article from Hankook Ilbo, sister publication of The Korea Times, was translated using generative AI and edited by The Korea Times staff.

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